What is it about tragedy in the human experience that I'm drawn to? Last night I viewed a compelling short film, part of ESPN's 30 for 30 called The Legend of Jimmy the Greek. Jimmy The Greek was a blast from my past. Growing up on the East Coast of the United States in Boston and being a pretty big football fan from my childhood onwards my brother, cousin, and I used to rush home from church to tune into The NFL Today on CBS followed by that week's game (usually the Patriots). For 12 years "the Greek" joined Brent Musberger, Irv Cross, and Phyllis George and gave his predictions for what team would win each game on the slate for that day. Jimmy Snyder (his real name) was himself a big time gambler. That's what put him on television in the first place and that's what took him off and eventually out (of this world in April 1996). While he never mentioned gambling terminology on the NFL Today, it was clear that he was speaking to all the betting people out there. Football fans loved him.
Here was a guy that came from nothing and out of nowhere, built up a career as a major force in television, and then his big dark heart was revealed to a reporter (with camera rolling) when he offered these blatantly racist comments:
"The black is a better athlete to begin with because he's been bred to be that way — because of his high thighs and big thighs that goes up into his back, and they can jump higher and run faster because of their bigger thighs. This goes back all the way to the Civil War when during the slave trading, the owner — the slave owner would breed his big black to his big woman so that he could have a big black kid."
With those words, the Greek (for good reason) lost his job at CBS and his life spiraled down, down, down. These comments are only part of the reason Jimmy was a tragic American story. Fritz Mitchell's excellent documentary style film draws on his friendships, his ex-colleagues, his son, and other sports writers and followers to portray a man saddled with much anger and resentment and pain that he never spoke about and therefore ate away at him from the inside. He and his wife lost three children to cystic fibrosis, which didn't help his already wounded and hurting soul. I urge you to see the piece if you can. ESPN will keep re-airing it. Check the website for details here.
Why was I drawn to this tragic figure? Why am I drawn to other tragic figures of human history? I think in part because Jimmy The Greek was part of my history and therefore my own story. Even viewing the footage of the old CBS set that was on from 1975-1989, those old, old graphics (pre-historic!), the CBS sports coat with the eye sown into the breast pocket, the old wired lapel microphones, and there sat Jimmy at the edge of the set with that shirt and tie and big gold chain draped around the outside. Wow did this take me back in time. The 1980s was a somewhat tragic time for me and for someone I used to watch Sundays the tragedies were unfolding behind the scenes. What I found notable within myself as I watched the story was how even the auxiliary stuff - a television set, a vintage graphic - served as a reminder of those days gone by and of the tragic within the human. Made me wish I could have been with The Greek before he died, maybe to offer hope, healing, help?
On many different levels I would like to have those old days back. Is that why we call them the "good old days"? But I know they are gone forever. I will never again be young, racing home from church to watch football, mesmerized by the set with all its graphics, gadgets, and wizardry. I don't live anywhere near my brother, my cousin, or our old childhood home. And the hurts and pains of the past are part of my permanent history. The days blow by, but occasionally some reminder, some smell, some song stumps us and settles us and then unsettles us and we stop to remember. And when we remember we see how tragic our own lives can be or maybe will be in the end. May God have mercy on Jimmy the Greek and may God have mercy on us all.
Here's the old NFL Today crew. The Greek is top left.
Here's the old graphic for the show (look at that!):